METAL MANIACS MAGAZINE
October 2002
DIO - STILL SLAYING DRAGONS AFTER ALL THESE YEARS
by Vincent N. Cecolini
Ronnie James Dio is a legend. Sure, the term "legend" is tossed
around much too often these days, but it certainly applies to the
diminutive multi-talented vocalist who, during an unparalleled career,
has fronted such influential acts as ELF, Rainbow, Black Sabbath and
Dio.
Following the success of 2000's Magica,
heavy metal's greatest voice returns with Killing the Dragon, arguably
the best album released under his surname. Dio's longtime fans laugh at
critics who refer to Magica as a comeback. While many of the enigmatic
vocalist's wouldbe peers continue to make excuses about thier declining
careers, he has not lost a step. Dio has accomplished so much during the
last 30 years that his latest creation is drawing comparisons, not to
the works of other heavy metal heroes, but to his own classics,
including Holy Diver (1983) and The Last In Line (1984).
With energy, drive and determination that would fatigue those a third
his age, Ronnie James Dio not only refuses to slow down, he will not
look back on what he has achieved. Like a master chess player, Ronnie
James Dio ia already contemplating his next series of moves. The dragon
slain, Dio and his bandmates are in the midst of an exhausting worldwide
touring schedule with the dream lineup of Deep Purple and The Scorpions.
Metal Maniacs: What is the concept behind "Killing the Dragon"?
Ronnie James Dio: The dragon symbolizes those who perpetrate injustices
against us. In fantasy tales, dragon's were notorious for stealing
children and feeding them to their babies. During the first part of the
song, I sing, "Someone has taken a child." The second part is about a
cruel feudal lord. The third part is about "electronic serfdom."
Metal Maniacs: You believe that the computer has become a god in modern society?
Ronnie James Dio: It is a small god with an electrical heart. It is time to rebel
against it.
Metal Maniacs: "Along Comes A Spider" joins the long Dio tradition of songs about
manipulative woman.
Ronnie James Dio: Spiders eat thier young and thier mates. The song is about guys
who believe that they've gotten over a relationship but are inevitably
dragged back into it.
Metal Maniacs: You often write about romantic betrayal, including "Don't Talk To
Strangers" (Holy Diver) and "As Long As It Is Not About Love" (Magica).
You identified so much with Deep Purple's "Mistreated" that you took the
song and made it you own.
Ronnie James Dio: You get repetitive after awhile.
Metal Maniacs: That is not what I meant.
Ronnie James Dio: That is exactly what I mean. It becomes difficult after awhile when
you have done so many damned things. It is especially difficult when you
have tunnel vision as to what you want to write about. I don't want to
write mere love songs. I want to write something that lets the listener
use his or her imagination. I often get painted into a corner, however,
and someone will complain that I've used the word "rainbow" again. I
finally decided that this is what I have in me and this is what you are
going to get.
Metal Maniacs: Your love songs are about betrayal and heartbreak rather than lust
and the objectification of women.
Ronnie James Dio: I try not to get into the intricacies of it all. The word "love"
presents a broad canvas. I don't like to paint directly at it.
Relationships are personal things. How am i going to make someone
understand relationships by singing about "Rosie And Bob" or "Jack And
Diane"? I'd rather work with a broad landscape when dealing with the
subject. I usually write with a lot of innuendo so that [ the listener ]
can make up his or her own mind about what is being said. If I point too
directly at the subject, it becomes my song and I don't want that to
happen. I want it to be our song.
Metal Maniacs: Is "Scream" about schizophrenia or is it an anthem for outsiders?
Ronnie James Dio: We put movie stars, athletes and rock stars on pedestals. When we
look at these celebrities, we see only the good, only their happiness.
When they go home, however, they are exactly as we are. Behind their
smiles, they scream. [The moral is] don't let someone else be your
guide. Direct yourself. Sure, there are always guidelines, good people
who we can emulate. At the end of the day, however, even Gandhi
screamed.
Metal Maniacs: Is "Better In The Dark" about finding comfort in the dark where the
monsters lurk?
Ronnie James Dio: It is actually about a woman who is so ugly that the only time she
can get laid is during the night, so she tends to run around with other
monsters. She always leaves before the sun rises because you might not
want to ever come back if you see her during the day.
Metal Maniacs: We metal fans are often thought of as freaks. I thought the song was
about finding a place to belong.
Ronnie James Dio: That is part of it. When I wrote the song, however, I was thinking
about some of the ugly women I have known. They all looked good in the
dark, but when I saw them in the morning, I wished they were pizzas. I
think most things are better in the dark. Heavy Metal is better in the
dark.
Metal Maniacs: It is strange how our world was supposed to be evolving into this
new paradise, this violent-less utopia. Since the dawn of the new
millennium, however, we seem to be heading backwards. The world ia a
hurling jalopy about to fly apart at the seems.
Ronnie James Dio: I never thought I would see the fall of communism in my lfetime,
but the Soviet Union has dissolved. I have not looked at [ the current
ills of the world ] in terms of the millenium. To me, dates do not
matter. There is no importance in the turning of the clock. Things are
certainly getting worse. The World Trade Center tragedy certainly proved
that. Being 3000 miles away from New York City [ at the time of the
attack ], everything seemed surreal. Here is this city that I know so
well and two of it's most beloved buildings are being leveled.
Metal Maniacs: In late September, I walked down Canal Street near Ground Zero and I
was met with this smell of sour burning metal that I will never forget.
Ronnie James Dio: What bothered me most were the stories of people with cellphones on
the planes and in the buildings who called loved ones to say goodbye.
Maybe those people wanted to hear the voices one last time, but I would
not have wanted to get a call from my brother, sister, father or mother
saying, "I am about to die." I wouldn't want that voice lingering in my
head for the rest of my life.
Metal Maniacs: The trademark Dio anthem "Rock & Roll" was inspired by the aftermath
of September 11th.
Ronnie James Dio: Like all Americans, I was devastated by terrorist atacks. A native
New Yorker, I wanted to reach out to it's residents, to let them know
that I would be there in any way for anyone who needed me. When I phoned
"The Eddie Trunk Show" [ a New York City-based hard rock and heavy metal
radio program ] to express both my outrage and condolences, I learned
that "Holy Diver" and songs by Black Sabbath had been temporarily pulled
from the airwaves. Our rock and roll had been banned because some
terrorists from a llitte place had committed these heinous acts against
us. How can you be castigated for something that nothing to do with you?
It stunned me. And pissed me off so much that I decided to write a song
about it. There is a line in the song, "If you are there when the
wallscome tumbling down." The walls are obviously the Twin Towers. Then
we sing, "Warrior." Anytime anything happens we shout for the soldiers.
People don't want the soldiers around when everything is good, but as
soon as somethingbad happens, we want to bring the warriors in, the
firemen, policemen and soldiers who go off to foregn lands to fight for
our freedom. "Yes, you have to go off and fight, but II forgot to tell
you, we are also going to take your rock'n'roll away from you." It was
important for me to say, "How dare you try to take our music awat." What
about poor Anthrax?
Metal Maniacs: Anthrax is proof that bad publicity does exist. The band's career
was in a tailspin for years and the spreading of the disease through the
U.S. postal system only brought them more negative attention.
RJD: The band did not choose the name because [ it's members ] knew that
it would be used as a pollutant last fall.
Metal Maniacs: "Throw Away Children" was originally written for "The Children Of
The Night" charity, which you are closely associated with. The charity's
mission is to rescue children from the ravages of street prostitution.
You originally intended the song to be recorded in the same fashion as
"Stars" [ heavy metal's answer to "We Are The World" ], with various
vocalists sharing the versus and guitarist sharing solos, but "the
powers that be" deemed the song too depressing.
Ronnie James Dio: The song has to portray the truth and the truth is that children
are out there being pimped, getting addicted to drugs and dying of AIDS.
It is a heartfelt song that I had to include it on the album.
Metal Maniacs: The song includes an appearance by the King's Harbor Church
Children's Choir.
Ronnie James Dio: I wanted kids, to be part of this song because it is about
children. The title was suggested by one of the Children Of The Night,
who hassince passed on. He said, "No one wanted us, so they threw us
away>" The choir was a great bunch of kids. The funniest part was that
their parents came to the recording and they were saying things like, "I
saw you with Sabbath and Rainbow" and "I saw Dio at the L.A. Forum." The
kids were so talented. When they began singing, the hair stood up on the
back of my neck and our drummer Simon Wright, had a tear in his eye.
Metal Maniacs: In addition to Wright, the current Dio lineup includes
bassist/longtime comrade Jimmy Bain as well as guitarist Doug Aldrich,
who recently replaced Craig Goldy. You have worked with. on and off, for
more than 27 years.
Ronnie James Dio: I have only been as good as the people I have worked with. Jimmy
and I first played together in 1975 [ on Rainbow Rising ]. Besides being
one of the top 5 bassists I have ever heard, he is as steady as a rock,
the backbone of the band. He leaves his baggage at the door and never
arrives wearing a sour face. Jimmy comes in with superior confidence and
support! He was born with roller skates. He does not plod through life,
he glides through it. To have Jimmy back in this band is not only
fulfilling for me musically, but personally, because I know what he has
gone through during the last five years. I know what a hard road it has
been for him. He had a reputation for being someone who imbibed too
much. He is now on the top of his game and no longer abuses himself. I
am happy that he is a working human being again. Now I have the best of
both worlds; a great player who is also one of favorite friends.
Metal Maniacs: Why was Craig Goldy replaced?
Ronnie James Dio: While we were on a European tour with Manowar and Motorhead a
couple of years ago, Craig met a girl. Upon our return to the States, he
married her. His wife, who came along with two pre-teens, quickly got
pregnant. Craig's focus and responsibilities changed. He now had five
mouths to feed. When his attention shifted to his new family, Dio [ the
band ] took a back seat. That is fine. I was happy for him. But his
change in focus made the writing of this album very difficult for me
and Jimmy. Craig would only give us a couple of days of his time each
week. How can you write a record with a part-time guitarist? Everything
worked so well with Magica that I thought things would be that easy
again. Jimmy and I asked Craig if he still wanted to do this and he said
"yes", so we continued. But that was a lie and we eventually had to say
goodbye. I am not saying that he was wrong but he should have made a
choice. He shouldn't have led us down the wrong path, not when it
affects someone's life's work. That is unforgivable. We have since made
our piece, but we will never work together again.
Metal Maniacs: Doug Aldrich, who joins a legacy of Dio gunslingers that includes
Vivian Campbell and Craig Goldy, previously worked with House of Lords,
Hurricane and Lion.
Ronnie James Dio: Doug first auditioned for Dio in 1990, but when he was offered the
gig he declined because his loyalty was to Lion. I next saw him 5 days
before he joined this band. We met for drinks then went to my home where
I showed him what Jimmy and I had been working on. I asked him if wants
to do it and he said yes. I am happy to be working with someone who is
honest.
Metal Maniacs: I saw you perform with Rainbow and Black Sabbath. Most people fail
to realize that Sabbath has a following comparable to the Grateful Dead.
Ronnie James Dio: It is very good anology, because Sabbath has become like the
Grateful Dead and to do so they needed to reform with Ozzy Osbourne.
With me "As a frontman" it could never be that. Black Sabbath created
the genre, just as the Dead created their genre and people will clinge
to it forever. Sabbath has reached that iconoclastic level where they
are more than a rock'n'roll band.
Metal Maniacs: Unlike most successful bands who've changed a recognizable frontman,
Sabbath was able to sustain itself when you joined.
Ronnie James Dio: It comes down to the inner action between the people who are making
this music. When you enter such a situation, you have to be a
phycologist. You have to examine the people you are working with because
each group of people will become a different being. Unless you start
dealing within the parameters of those beings you'll be an outsider.
None of your opinions will be accepted or taken seriously. Luckily, I
came from the same working class background. I love Tony Iommi, Geezer
Butler Bill Ward. They're my favoite people in the world. I love the
music we made together. That is why it worked "In the beginning".
Metal Maniacs: Throughout your career you have worked with extreme personalities.
Ronnie James Dio: Once you work with Ritchie Blackmore, it is easy to adapt to
personalities of other people. He was certainly the most extreme person
I have worked with, but we shared a love for classical music-bach was
our hero. Deep Purple was my favorite band. I think of Tony Iommi like
that. I brought a Deep Purple/Rainbow edge to Sabbath. At the end of the
day, that band is where it should be.
Metal Maniacs: Would you perform with Black Sabbath if the band was inducted into
the Rock'n'Roll Hall of Fame?
Ronnie James Dio: I would never be asked, but absolutely not. The band has tried to
sweep anything I have ever done with them under the rug. With Black
Sabbath, it is as if I've never existed. The only people who know that I
ever existed in that band are the people who love the records I recorded
with them. I will never be asked to do anything that smacks of Black
Sabbath. It has nothing to do with Tony or Geezer. They do not have
anything to do with that band anymore. I don't even lay things at Ozzy's
footsteps. Ozzy is who Ozzy is and I don't think Ozzy has a hurtful bone
in his body. There's something else happening there that does not
deserve a mention. I was happy to be in that band and I am more than
happy with the success that we enjoyed. My goal at the tfime was to
bring Black Sabbath to where they once were. I think I accomplished
that. I thought I would be in Black Sabbath forever. Obviously, that is
not the way it worked out.
Metal Maniacs: The fans lucked out when you left Black Sabbath and recorded the
classic Holy Diver.
Ronnie James Dio: I have been lucky to be part of three landmark records: Rainbow
Rising, Black Sabbath's Heaven and Hell and Dio's Holy Diver.
Metal Maniacs: You have already begun planning your next album. It will complete
the storyline you started on Magica.
Ronnie James Dio: Magica was a labor of love that gave me a chance to write prose.
The hardest thing on Earth is to write album's like Heaven and Hell,
Holy Diver, The Last In Line and Killing The Dragon. You do not have a
template. You have to ask yourself, "Well, what do I want to write about
now." Magica was a return to what people expected from Dio. It struck a
chord. The next albums will be Magica 2 and 3.
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